Frameworks that work
Copywriting formulas
Proven structures used by the world's best copywriters. Each formula is broken down step by step — with real examples and guidance on when to use each one.
Promise · Picture · Proof · Push
A powerful sales page formula. Makes a bold promise, paints the picture, backs it up, then asks for the sale.
- Promise sets a specific expectation upfront
- Picture creates emotional investment before objections arise
- Proof answers the skeptic's voice in the reader's head
- Push converts emotionally ready readers into buyers
A weak Proof stage. If your promise is bold, your proof must be stronger. One vague testimonial kills credibility. Stack specific, named social proof.
The Picture stage is where most writers under-deliver. Spend real time here. Sensory, specific language ("watching sales notifications roll in") converts better than abstractions.
Awareness · Comprehension · Conviction · Action
AIDA's more rational cousin — ideal when your audience needs to understand before they commit.
- Works for logical, research-driven buyers
- Comprehension stage builds authority and trust
- Conviction differentiates from competitors using evidence
Attention · Interest · Desire · Action
The original copywriting framework. Used in ads, emails, and landing pages for over 100 years.
- Mirrors how humans naturally make decisions
- Easy to audit — check each stage is doing its job
- Works for both short and long-form copy
- Universally understood by clients and stakeholders
Skipping the Desire stage and jumping straight to Action. Readers who aren't emotionally invested won't click, no matter how strong your CTA is.
AIDCA adds Conviction between Desire and Action — useful for high-ticket or sceptical audiences who need extra proof before committing.
Attention · Interest · Description · Persuasion · Proof · Close
Robert Collier's expanded AIDA. Adds Description and Proof as explicit stages — built for high-ticket sales letters where emotion alone won't close.
- Description ensures clarity before desire — readers can't want what they don't understand
- Separating Persuasion and Proof means emotion and evidence each get their full weight
- The six-stage sequence matches the actual decision-making arc of high-consideration buyers
- Built specifically for offers where 'just make them want it' isn't enough — they also need to understand it and believe it
- Robert Collier's real-world testing across thousands of sales letters validated the sequence
Conflating Description with Persuasion. Description answers 'what is it?' — plainly and clearly. Persuasion answers 'why do I want it?' — emotionally and specifically. Mixing them produces copy that's neither clear nor compelling.
Before · After · Bridge
Paint the dream, not just the solution. Show readers where they're going before you show them how to get there.
- Focuses on transformation, not just features
- The "After" state sells the dream — people buy outcomes
- Makes your product feel like the obvious next step
- Works beautifully in testimonial structure too
Rushing to the Bridge before the After state is vivid enough. If readers don't desire the future you've painted, they won't care about what bridges them there.
PAS twists the knife on pain. BAB focuses more on the aspiration. Use PAS when the problem is acute; use BAB when the dream is more motivating than the pain.
Features · Advantages · Benefits
The antidote to feature-heavy copy. Forces every product claim to answer the reader's silent question: "So what?"
- Forces benefit-first thinking on every claim
- Easy framework to apply to any product feature
- Makes technical specs feel human and relevant
- Great for training non-copywriters to write better
Stopping at the Advantage and calling it a Benefit. "Holds 100,000 photos" is an advantage. "Never lose a memory" is the benefit. Keep asking "so what?" until you hit emotion.
If your bullet starts with "It has…" or "Includes…" you're writing features. Rewrite it to start with "You get…" or "So you can…" to reach the benefit.
Oblivious · Apathetic · Thinking · Hurting
Not a writing formula — a reader awareness framework. Use it to decide which formula to reach for first.
- Prevents mismatched copy — wrong message to wrong audience kills conversions
- Helps you choose the right formula for each audience segment
- Guides tone: educational for O, empathetic for H
Problem · Agitate · Solution
The most powerful short-copy formula. Empathise first, then offer relief.
- Leads with empathy — readers feel understood
- Creates emotional urgency without being pushy
- Works in as few as 3 sentences
- Agitation is what separates average from great copy
Over-agitating to the point of feeling manipulative. The pain must be real and your empathy genuine — readers sense when it's manufactured.
The Agitate stage is where most writers are too timid. Spend the most words here. If the problem doesn't sting, the solution won't land.
Problem · Amplify · Story · Transformation · Offer · Response
The most complete long-form sales formula. Combines storytelling, proof, and persuasion into a single powerful structure.
- Story creates trust and emotional buy-in before the pitch
- Transformation/testimonials handle objections automatically
- Complete structure means nothing critical gets missed
- Designed for cold-to-warm conversion in a single session
Picture · Promise · Prove · Push
Henry Hoke Sr.'s four-P formula. Leads with a vivid picture before the promise — so desire is built before the claim is made.
- Opens with desire rather than a claim — readers feel before they evaluate
- The Picture stage bypasses initial scepticism by creating emotional investment first
- By the time the Promise arrives, the reader already wants the outcome it describes
- The Picture-then-Promise sequence makes bold claims feel earned rather than asserted
- Particularly effective with audiences who are fatigued by direct claim-led copy
A Picture that doesn't connect tightly to the Promise. If the scene you paint in the Picture doesn't map directly to what the Promise delivers, the reader feels manipulated rather than inspired. The Picture and Promise must describe the same transformation.
Qualify · Understand · Educate · Stimulate · Transition
Michel Fortin's five-stage formula. Opens by filtering for the right reader — so every word after speaks only to them.
- Qualification makes everything that follows feel personally relevant to the right reader
- The Understand stage builds deeper trust than most formulas achieve before the pitch
- Educate positions you as an authority without a single claim about your product
- By the time readers reach Transition, they've made most of the decision themselves
- Self-selection in the Qualify stage means your conversion rate reflects genuinely qualified readers
Qualifying too broadly defeats the entire formula. If everyone passes the Qualify filter, the rest of QUEST loses its specificity advantage. The Qualify stage must exclude someone real.
Stop · Look · Act · Purchase
Built for skimming readers. Each stage captures a different level of attention — from glance to commitment.
- Each stage is self-sufficient — a reader who only sees Stop still gets a message
- Designed for the real behaviour of readers: skimming, not reading
- The Act stage lowers commitment before asking for the full Purchase
- Forces copywriters to think in layers — headline, subhead, callout, body, CTA
- The progressive commitment structure reduces friction at every stage
Treating SLAP as a purely sequential formula like AIDA. In practice, different readers enter SLAP at different stages — some will only see Stop, some will scan Look, some will jump to Purchase. Each stage must be capable of holding and advancing a reader who missed the stage before it.
Star · Story · Solution
A narrative-first formula that makes the reader the hero. Used in video scripts, email, and VSL openers.
- Character-first structure creates emotional investment before any selling begins
- The Story stage builds tension that makes the Solution feel like genuine relief
- Readers identify with the Star's struggle and see their own situation reflected
- Works exceptionally well in video where emotional pacing is easier to control
- The narrative arc makes the product feel discovered rather than advertised
Rushing from Star to Solution without building genuine tension in the Story. The Story stage is where most writers are too brief. If the struggle isn't felt, the Solution doesn't land — it just reads as another pitch.
Situation · Task · Action · Result
The case study and testimonial formula. Turns customer success stories into conversion machines.
Burying the Result or leaving it vague. "They were very happy" is not a result. "Revenue increased 34% in 60 days" is.
At a glance
Quick reference table
| Formula | Stands for | Best for | Difficulty |
|---|---|---|---|
| AIDA | Attention · Interest · Desire · Action | Emails, ads, landing pages | ★★☆☆☆ |
| PAS | Problem · Agitate · Solution | Short ads, social, email intros | ★★☆☆☆ |
| BAB | Before · After · Bridge | Onboarding, video scripts | ★★☆☆☆ |
| FAB | Features · Advantages · Benefits | Product pages, bullet points | ★☆☆☆☆ |
| 4Ps | Promise · Picture · Proof · Push | Sales pages, launches | ★★★☆☆ |
| PASTOR | Problem · Amplify · Story · Transformation · Offer · Response | Long-form sales, VSLs | ★★★★☆ |
| ACCA | Awareness · Comprehension · Conviction · Action | B2B, nurture sequences | ★★★☆☆ |
| STAR | Situation · Task · Action · Result | Case studies, testimonials | ★★☆☆☆ |
| OATH | Oblivious · Apathetic · Thinking · Hurting | Audience strategy | ★★★☆☆ |